Monday, June 17, 2013

Bob Dunn's Vagabonds - Decca Discography 1939-40

Bob Dunn is widely considered the true pioneer of the world’s first electrically amplified steel guitar.

His first recordings for Decca, with Milton Brown (the "Father of Western Swing"), are considered to be the first electric instrument recordings. Dunn was a jazz guitarist who first heard electric steel guitar played by a down and out blues performer on the Coney Island boardwalk; Dunn's innovative steel guitar solo riffs single-handedly created country & western's most recognized solo instrumental sound.

After Brown's death in 1936, Dunn played with many different groups, including Roy Newman, Cliff Bruner's Texas Wanderers, Bill Mounce and the Sons of the South, and Buddy Jones. He made some recordings on Decca under the name Bob Dunn's Vagabonds (actually Cliff Bruner's Texas Wanderers) between 1938 and 1940, which are collected here.

Bob Dunn ended his professional musical career with the onset of World War II. He enlisted and served during the war. After the war, he earned a degree in music from the Southern College of Fine Arts and opened a music store in Houston. He died in Houston on May 27, 1971.

  1. Mama's Gone Goodbye - Bob Dunn's Vagabonds | 1939
  2. Too Long - Bob Dunn's Vagabonds | 1939
  3. Blue Skies - Bob Dunn's Vagabonds | 1939
  4. Toodle-Oodle-Oo - Bob Dunn's Vagabonds | 1939
  5. When Night Falls - Bob Dunn's Vagabonds | 1939
  6. You Don't Know My Mind - Bob Dunn's Vagabonds | 1939
  7. It Must Be Love - Bob Dunn's Vagabonds | 1939
  8. Mean Mistreater - Bob Dunn's Vagabonds | 1939
  9. Graveyard Blues - Bob Dunn's Vagabonds | 1939
  10. I Want the World To Know I Love You - Bob Dunn's Vagabonds | 1939
  11. You'll Pay Some Day - Bob Dunn's Vagabonds | 1939
  12. Basin Street Blues - Bob Dunn's Vagabonds | 1939
  13. Was That All I Meant To You - Bob Dunn's Vagabonds | 1938
  14. Sweet Bunch of Daisies - Bob Dunn's Vagabonds | 1938
  15. Stompin At the Honky Tonk - Bob Dunn's Vagabonds | 1939
  16. Wednesday Rag - Bob Dunn's Vagabonds | 1939
  17. I'll Tell The World (She's A Good Little Girl) - Bob Dunn's Vagabonds | 1940
  18. Meet Me Tonight in Dreams - Bob Dunn's Vagabonds | 1940
  19. I'll Forget Dear (That I Ever Loved You) - Bob Dunn's Vagabonds | 1940
  20. Juke Box Rag - Bob Dunn's Vagabonds | 1940
  21. I Found You Out When I Found You (In Somebody Else's Arms) - Bob Dunn's Vagabonds | 1940
  22. Marcheta - Bob Dunn's Vagabonds | 1940
  23. I'll Tell The World (She's A Good Little Girl) - Bob Dunn's Vagabonds | 1940
  24. 'Round Her Neck She Wears a Yeller Ribbon - Bob Dunn's Vagabonds | 1940

Get it here: Bob Dunn's Vagabonds [Rapidgator] [FileFactory] [Zippyshare]

Sunday, November 25, 2012

Vintage Christmas Wax

Rare turn-of-the-century Christmas recordings taken from wax cylinders.

Some of the earliest recordings around are of Christmas music, both in the popular vein, as well as more traditional hymns and other Christmas classical favorites. The Archivist doesn't recall where he first collected these transcriptions from wax cylinders (some are from the Cylinder Preservation and Digitization Project at the University of California - Santa Barbara, released under Creative Commons), but they represent some of the earliest music in his library.

  1. Hail Smiling Morn (Christmas Carol) - The Edison Quartette | 1904
  2. Christ The New Born King - Robert Price | 1904
  3. Winter - Harry Macdonough & Haydn Quartet | 1905
  4. Will You Love Me In December, As You Do In May - Harry Macdonough & Haydn Quartet | 1905
  5. Silent Night - Edison Male Quartet | 1905
  6. Joy To The World - Edison Concert Band | 1906
  7. O Tannenbaum - Nebe-Quartett | 1907
  8. Ring Out The Bells For Christmas - Edison Concert Band | 1907
  9. Christ Is Come - Edison Concert Band | 1908
  10. Hark! The Herald Angels Sing - Henry Burr | 1908
  11. The Star Of Bethlehem - A Christmas Song - Henry Burr | 1908
  12. Auld Lang Syne - Frank C. Stanley | 1910
  13. Christmas Time Seems Years And Years Away - Manuel Romain | 1910
  14. Ring Out The Bells For Christmas - The Edison Concert Band | 1912
  15. Silent Night - Elizabeth Spencer & Anthony Harrison | 1912
  16. Bells Of Christmas - Edison Concert Band | 1913
  17. Hail! Hail! Day Of Days - Edison Mixed Quartet | 1913
  18. Hark! The Herald Angels Sing - Edison Mixed Quartet | 1914
  19. O Come, All Ye Faithful [adeste Fideles] (Take 2) - Edison Mixed Quartet | 1914
  20. Night Before Christmas - Harry E. Humphrey | 1914
  21. Ring Out, Wild Bells - Carol Singers | 1916
  22. Christmas Eve: a Fantasie On Old German Christmas Carols - Robert Gayler | 1916
  23. Hallelujah Chorus - Messiah - Oratorio Chorus | 1916
  24. The First Nowell - Carol Singers | 1916
  25. Christmas, Christmas, Blessed, Blessed Day - Metropolitan Quartet | 1917
  26. God Rest You, Merry Gentlemen - Carol Singers | 1917
  27. Christmas Morn - Miro's Band | 1918
  28. Christmas Eve - Miro's Band | 1918
  29. Christmas Bells - Robert Gayler | 1919
  30. If Winter Comes - Atlantic Dance Orchestra | 1922
  31. Ave Maria - Kathleen Parlow | 1923
  32. Silent Night - Florence Easton | 1924
  33. Holy Night - Florence Easton & Chorus | 1928
  34. Bethlehem - The Shepherd's Nativity Hymn - Westminster Glee Singers | 1929
  35. The Only Thing I Want For Christmas (Is Just To Keep The Things That I've Got) - Eddie Cantor | 1939

Get it here: Rare turn-of-the-century Christmas recordings [Rapidgator] [FileFactory] [Zippyshare]

Wednesday, October 31, 2012

Sunnyland Slim - The Airway Collection

cover art

Born in Mississippi in 1907, Sunnyland Slim (b. Albert Luandrew) relocated to Chicago in the early 1940's, where he became an important contributor to the Post-War Chicago Electric Blues sound.

The list of people Sunnyland played with reads like a Who’s Who of the Blues: Howlin’ Wolf, Little Walter, Big Walter Horton, Jimmy Rogers, Snooky Prior, Hubert Sumlin, and more. His piano style was characterised by heavy basses or vamping chords in the left hand and tremolos with his right.

After recording for a number of smaller labels (including the Specialty, Hy-Tone, Aristocrat, and J.O.B. imprints), both as as an accompanist or backup for other bluesmen, as well as leading his own bands, in 1973 he decided to take a more hands-on control of his recordings and started Airway Records, on which he issued four long out-of-print albums, of which the tracks are collected here.

Sunnyland Slim was awarded a National Heritage Fellowship in 1988, and died from medical complications in Chicago in 1995, at the age of 88.

  1. She Got That Jive | 1977
  2. I Done You Wrong | 1977
  3. Levee Camp Moan | 1977
  4. Station Break | 1977
  5. Ain't Gonna Drink No More Whiskey | 1977
  6. It's You Baby | 1977
  7. Sad And Evil Woman | 1977
  8. Standing On The Corner | 1977
  9. She's Got A Thing Goin' On (alt) | 1977
  10. See My Lawyer | 1977
  11. Depression Blues | 1977
  12. Rocking My Blues Away | 1979
  13. Black Cat Cross My Trail | 1979
  14. Johnson Machine Gun | 1979
  15. Mr. Cool | 1979
  16. Bassology | 1979
  17. Long Tall Daddy | 1979
  18. Big Time Operator | 1979
  19. Patience Like Job | 1979
  20. Midnight Jump | 1979
  21. I Done You Wrong (alt) | 1979
  22. Have A Good Day Now | 1981
  23. You Can't Have It All | 1981
  24. I've Been Workin' Two Jobs | 1981
  25. Speak Once And Think Twice | 1981
  26. Be Careful How You Vote | 1981
  27. Chicago Jump | 1981
  28. Tired But I Can't Get Started | 1981
  29. Get Further Little Brother | 1981
  30. Shake It Baby | 1981
  31. Just You And Me | 1981
  32. Be Careful How You Vote (alt) | 1983
  33. I Done You Wrong (alt 2) | 1983
  34. Sunnyland Train | 1983
  35. You Have Heard Of A Woman | 1983
  36. Past Life | 1983
  37. She Got A Thing Going On | 1983
  38. Going Back To Memphis | 1983
  39. The Devil Is A Busy Man | 1983
  40. Woman Trouble Overnight | 1983
  41. We Gonna Jump | 1983
  42. Orphan Boy Blues | 1983

Get it here: The Airway Collection [Rapidgator] [FileFactory]

Saturday, October 13, 2012

King Oliver's Jazz Band - The Gennett Recordings

In 1922, New Orleans native and cornet player Joseph Oliver was the jazz king in Chicago, performing as King Oliver and his Creole Jazz Band.

Later that same year, Louis Armstrong received a telegram from his mentor Joe, asking him to leave New Orleans for Chicago to join the band. The addition of Armstrong to this already powerful and popular band took the town by storm. Soon musicians and fans were flocking to hear Louis' amazing cornet playing with the Oliver band.

In 1923, inspired by the runaway success of so-called "race records" of that time, the Gennett Record label from near-by Richmond, Indiana contracted King Oliver’s Band for a series of recordings, which they made on April 5th and 6th of that year. Oliver’s historic Gennett releases were the first ever by an established black New Orleans jazz band. The recordings made by this group in 1923 demonstrated the serious artistry of the New Orleans style of collective improvisation or Dixieland music to a wider audience.

  1. Alligator Hop | 1923
  2. Canal Street Blues | 1923
  3. Chimes Blues | 1923
  4. Dipper Mouth Blues | 1923
  5. Froggie Moore | 1923
  6. I'm Going Away To Wear You Off My Mind | 1923
  7. Just Gone | 1923
  8. Krooked Blues | 1923
  9. Mandy Lee Blues | 1923
  10. Snake Rag | 1923
  11. Weather Bird Rag | 1923
  12. Workingman Blues | 1923
  13. Zulu's Ball | 1923

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George Wettling and his Chicago Rythmn Kings

George Wettling was one of the great Dixieland drummers of the 20's and 30's

George was one of the young white Chicagoans who fell in love with jazz as a result of hearing King Oliver's band (with Louis Armstrong on second cornet) at the Lincoln Gardens in Chicago in the early 1920s (where he moved with his family in 1921).

Wettling re-located to New York in the mid 30's, where he played with numerous orchestras in that city, including the big bands of Artie Shaw, Bunny Berigan, Red Norvo, and Paul Whiteman. Although he did not lead bands on a regular basis for long, he led some excellent dates for Decca (1940), and Black & White, Commodore, and Keynote (1944), which are the tracks collected here.

  1. Bugle Call Rag - George Wettling And His Chicago Rhythm Kings | 1940 (Decca 18044A)
  2. If I Could Shimmy Like My Sister Kate - George Wettling And His Chicago Rhythm Kings | 1940 (Decca 18044B)
  3. The Darktown Strutter's Ball - George Wettling And His Chicago Rhythm Kings | 1940 (Decca 18045A)
  4. I've Found A New Baby - George Wettling And His Chicago Rhythm Kings | 1940 (Decca 18045B)
  5. Some Of These Days - George Wettling Trio | 1944 (Black and White 7A)
  6. Everybody Loves My Baby - George Wettling Trio | 1944 (Black and White 7B)
  7. China Boy - George Wettling Trio | 1944 (Black and White 27A)
  8. That's A Plenty - George Wettling Trio | 1944 (Black and White 27B)
  9. Struttin' With Some Barbeque - George Wettling And His Chicago Rhythm Kings | 1944 (Commodore 561A)
  10. How Come You Do Me Like You Do - George Wettling And His Chicago Rhythm Kings | 1944 (Commodore 561B)
  11. Blues For Stu - George Wettling And His Chicago Rhythm Kings | 1944 (Commodore 619A)
  12. Heebie Jeebies - George Wettling And His Chicago Rhythm Kings | 1944 (Commodore 619B)
  13. Home, Cradle Of Happiness - George Wettling's New Yorkers | 1944 (Keynote 1311A)
  14. Too Marvelous For Words - George Wettling's New Yorkers | 1944 (Keynote 1311B)
  15. You Brought A New Kind Of Love To Me - George Wettling's New Yorkers | 1944 (Keynote 1318A)
  16. Somebody Loves Me - George Wettling's New Yorkers | 1944 (Keynote 1318B)

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Pepperism - The Three Peppers Orchestra

The Three Peppers were formed in Saint Louis in the mid-1930s, and stuck together in one form or another until about 1950.

The trio consisted of Oliver "Toy" Wilson (piano), Bob Bell (guitar) and Walter Williams (bass). Little is known of the group's history other than that they were formed in St. Louis, played venues in New York and Philadelphia, and recorded again for a brief period on Philadelphia's Gotham label circa 1947. They were apparently discovered by impresario Irving Mills, who managed Duke Ellington, as their first recordings are on the Mills-owned Variety label.

They weren't the top of their game, to be sure, but they were a pretty good group with plenty of perk and wit, and great delivery. These small novelty combos are almost forgotten footnotes of the swing era.

  1. Swing Out Uncle Wilson | 1937
  2. The Ducks Yas Yas Yas | 1937
  3. Get the Gold | 1937
  4. Serenade In The Night | 1937
  5. Down By the Old Mill Stream | 1939
  6. Fuzzy Wuzzy | 1939
  7. Love Grows On The White Oak Tree | 1939
  8. Swing Out Uncle Wilson | 1939
  9. Hot dogs | 1940
  10. Alexander's Ragtime Band | 1947
  11. Mary Had A Little Lamb | 1947
  12. Pepperism | 1947
  13. Swingin' At the Cotton Club | 1947
  14. The Sheik Of Araby | 1947
  15. Tom Tom Serenade | 1947

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Sunday, September 16, 2012

Doc Sausage: The recordings of Lucious "Dr. Sausage" Tyson

Doctor Sausage and His Five Pork Chops/His Mad Lads were something of a fringe act, and today very little is known about them.


They recorded 2 singles for Decca Records in 1940, four more in 1950 for Regal (including a Top 10 R&B single with Rag Mop) and then were never heard from again. Considered a Novelty Act throughout their career, they provide an interesting if brief peek into the late 30's and 40's East Coast “hep culture” and “Race Records”.

1940:

  • Wham [Re-bop-boom-bam] / Doctor Sausage Blues (Decca 7736)
  • Birthday Party / Cuckoo Cuckoo Chicken Rhythm (Decca 7776)

1950:

  • She Don’t Want Me No More / Please Don’t Leave Me Now (Regal 3248) --Wanted --
  • Rag Mop / You Got Me Cryin’ (Regal 3251) – Peaked at #4 on the US R&B Charts / Feb. 1950
  • Sausage Rock / I’ve Been A Bad Boy (Regal 3256) --Wanted (Side B) --
  • Door Mat Blues / I’m A Poor Man (Regal 3283) --Wanted --

If you have access to any of the missing tracks, please let me know.

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